The Other 2026
Co-designed by the world-renowned architect James Smith, our Bridgewater Joy residences offer top views of the nearby lake Michigan. Perfect for a small family, a professional couple, or anyone looking to set up a home office.
Bearing the Binary 2026
A pink fingerprint underlays Alice’s White Rabbit now in yellow, carrying and guarding the weight of gendered expectation across bodies as porous, entangled systems. Identity is not fixed; it is material, contested, and relational, enacted within social, cultural, and ecological networks that shape how bodies, meanings and systems emerge.
Binaries fracture as bodies navigate these charged systems, asserting, resisting, reforming while language itself operates as terrain, weaponised, reclaimed, and generative. Through layered screenprint, accumulation, misalignment, and bleed render identity unstable and emergent. Marks overlap, persist, and refuse resolution. Gender, like all relational systems, is alive and in motion, and co-constituted with bodies, environments, and temporal, material, and cultural forces.
The first panel replaces Eve’s apple with a smartphone, a luminous fruit mediating desire and knowledge. Scrolling, tapping and consuming, it become gestures of control within networked systems and surveillance. Seduction is no longer by nature, but by technology, a fall not from Eden, but into distraction, commodification, and curated identity.
At the centre, the panel becomes a charged landscape of gender debate. Bodies negotiate, assert, defend, and dissolve as binary structures fracture. Gender is visible and contested, and language itself becomes terrain, reshaped, reclaimed, and in flux. The White Rabbit carries the weight of gender across its back, rendering identity material, burdened, and in motion.
The final panel depicts a contemporary apocalypse, where human, more-than-human, and ecological systems collide, overpopulation, consumerism, waste, pollution, burning forests, and war. Fires consume the horizon; paradise is no longer allegorical but literal, scarred, overheated, and exhausted. Consequence replaces spectacle.
Relief, Monotype, Screen and Transfer print, Print press, inks, and eucalyptus oil, water-based printing inks, water-based screen-printing ink and paper. Combined 60 x 90 cm.
The Backyard of Earthly Realities 2020
The Backyard of Earthly Realities reimagines Hieronymus Bosch’s The Garden of Earthly Delights for contemporary life. It relocates paradise and downfall to the personal, social, technological, and ecological spaces we inhabit daily. The work traces how interconnected systems shape experience and our shared, more-than-human future.
Entropy & Bloom 2018
Entropy & Bloom traces a life in four temperatures , germination, expansion, saturation, weathering. Across shifting thresholds, the body moves not forward but through, dissolving, thickening, thinning, returning.
Nothing stands alone. What breaks down feeds what follows. What appears whole is already loosening at the edges. Ageing unfolds as quiet erosion and sudden flowering, a porous exchange between memory, matter, place, and more-than-human rhythms.
Here, entropy is not collapse but condition. A soft undoing. A necessary scattering that makes bloom possible. Forms gather, thin, accumulate, and leave traces. The work lingers in this unstable interval where loss and emergence coexist, and becoming never settles.
